SAG Awards

If you televised an awards show and nobody watched, would movie studios strike outside?

The Screen Actors Guild (SAG) had their annual awards dinner to honor actors and casts for movies and television.  TNT and TBS aired the show simultaneously, with TNT reairing it 2 hours later.  I wish I could say it was fun to watch, but it was somewhat boring.  Here were the highlights:

  • Betty White – Much like Scorsese at the Golden Globes, Betty White showed us how to make a speech.  You could see her passion and love for her craft.  As she said, she is 88 years old; it will be a sad day when she passes away.
  • Alec Baldwin – This has nothing to do with his speech or award.  During the time he was on stage, I kept flashing on the scene in Team America where they had Baldwin addressing FAG (Film Actors Guild).

Golden Globes

Well, I just finished watching the Golden Globes on DVR.  While it had moments, it didn’t seem to have all of the zaniness of past years.  Ricky Gervais did a decent job of hosting, but I kept expecting more from him.  He had some good lines and setups to introduce the presenters.  I was disappointed to see the Globes play it safe and pick Avatar for Best Picture.  Just from the clips shown, all of the other nominees were more deserving.

For me, the highlight was the honoring of Martin Scorsese.  Here is a man whose films I have enjoyed time and again, while marveling at what he brings to light on the screen.  Yet, to hear him talk passionately about the movies made me wonder if he had a bug planted at my table at the Ale House last night when I was saying very similar things to a friend of mine about how I felt about movies.  That entire 15-20 minute tribute/acceptance section made the show for me.

Here’s hoping Oscar realizes that there were many movies out there that were better than Avatar….

2000 – 2009: My Thoughts

Sure, everyone else posted their “top movie” lists for 2000-2009 last month; however, I wanted to do something different and I have it.  Instead of trying to pick 10 movies that to me represent the best of that time period, I would like to reflect upon the massive changes that have occurred.

Technology has had a greater influence on movies and how we enjoy them over the past 10 years than in the 80s and 90s combined.  In the 80s, we were coming out of the home video wars with VHS reigning supreme, and cable was still in its infancy.  ABC, CBS, and NBC would have bidding wars to become the first network to air certain movies that had been released in theaters in previous years.  This would bolster the lineups during sweeps months and everyone loved it.  Cable evolved in the 90s and stole the thunder of the networks by outbidding them to show these movies.  This led to the rise of TBS, TNT, and USA, as they used these movies to help build the channels; other cable channels would start following the same model.  The home video market remained the same for most of the 90s as VCRs became commonplace in homes and Disney started releasing its animation vault on VHS.  Blockbuster became the evil empire that nobody could knock off.  It was also during the 90s that theater admission prices started rising rapidly.  This was due in part to rising cost of movies, but also due to studios making sure they hit their profit margins with some people staying at home.

Towards the end of the 90s, two things appeared that changed the world of film forever: DVD and the Internet.

Sure, studios had experimented with laserdisc, but the price-point was never one that encouraged customers to buy.  After having DVD languish for the first couple of years, the studios tried a new ploy.  They started giving movies away for different promotions.  Buy this DVD player and get 5 DVDs free or buy this DVD and get this one free.  I rapidly built my collection between 2000-2002 using these promotions.  What forced me to go DVD, though, was Disney.  By releasing 6 animated features on DVD for a 6-month period, I was forced to switch to DVD to make sure I got them.  By 2003, VHS was pretty much dead and DVD was now commonplace.  However, the promotions had unexpected effect on Blockbuster – they actually helped reduce business since consumers were now building their own film libraries.

Meanwhile, the Internet was growing.  Not only from the proliferation of websites promoting a movie and websites (like this one) dedicated to talking about them, but from a piracy standpoint.  Why go pay $10 when I can stream it on the computer?  With the advent of digital editing in film, it became easy to leak copies of a movie days and months ahead of release schedules.  Maybe Spielberg is on to something by continuing to insist on editing his films by hand.  From a retail standpoint, Blockbuster never saw Netflix coming.  Allowing consumers to order DVDs at first and then later offer streaming choices, Netflix has made Blockbuster as unimportant as many of the “mom and pop” video stores it once crushed.

The Internet also helped force one of the nastiest Hollywood-based strikes that had ever been seen.  Writers and actors quickly realized that their material was being shown thousands of times more than their royalty checks indicated and studios did not want to cough up the extra profits.  This led to a stand-still that affected TV and movies; thankfully it ended within about 6 months and there was hardly any lapse in product.  The long-term effects are to be determined; the only one I have seen is the sharp rise in ticket prices.

Towards the end of the past 10 years, theaters started adding 3-D options and IMAX options.  I didn’t mind the 3-D – sure it was only $1 more and it added something to the experience.  I do mind now when the up-charge is now $3-$4 and there has been NO CHANGE in equipment or technology.  Then theaters started adding IMAX.  Growing up, IMAX was something to behold – a movie screen 4-6 stories high and a seat so close that you became immersed in the world.  What AMC and Regal have done is unforgivable: charging people an extra fee for an IMAX experience when it is not.  Taking a normal screen and pushing the seats closer does not make an IMAX experience.  Sadly, what will end up killing the theater business, particularly in this economic climate, will be the forcing of these up-charges and the elimination of student discounts.  It is high schoolers and college students that spend the most on movies; by eliminating their paltry $2 discount, the theaters are killing the golden goose.

So what’s ahead for 2010-2019?

I don’t know, but I fear it will include a downsizing of movie theaters as the Internet moves things more and more to the home…

Love Hurts

There have been many a time where I have found my self muttering, “…best laid plans of mice and men…”  Of course, this usually after a plan of mine has gone awry.  Things going awry is the perfect theme for this review…

The Plaza Cinema Cafe has been offering select movies for free on Wednesday and Thursday nights.  Usually these movies are more “independent” in nature and give an excellent opportunity to grow audiences.  So imagine my surprise when I found them offering 2012 as the “free movie of the week.”  I had been reluctant to spend money on movie, but free tickets will convince me to go.  I got off work around 8:30 on the Thursday that <shudder> Twilight <shudder> was premiering at midnight.  I make my way downtown, park, and head up to get my ticket.  Now the website had said 10:15; I got there around 9:15.  I should have known something was up when they wanted to wave me right in.  Instead I ran across the street and grabbed a couple of slices fromGino’s Pizza (highly recommend).  I wandered back up around 9:45 and was told that the movie had started at 9:00.  Of course it wasn’t posted and the first box office person never said anything.  So they let me go to any other movie starting within the next half-hour for free.  I saw Love Hurts starting and remembered that it had been part of the Orlando Film Festival a week prior.  So, concessions in hand and still no physical ticket, I walked into a theater with only one other patron.

Love Hurts is a story about a man too dense to realize that his marriage is falling apart before it is too late.  What follows is his convoluted path to finding answers to everything.  Richard E. Grant (no relation to Hugh) plays the title character; most might remember him best as the villain in Hudson Hawk.  Carrie Anne Moss, notably absent since the Matrix series ended, plays Grant’s dissatisfied wife.  After attempting to get through to her husband one last time, Moss leaves Grant and move in with her friend played by Camryn Manheim.  This leaves their almost grown son left to pick up the pieces of a man so heartbroken that he wallows around singing (very off-key) Belinda Carlisle’s “Heaven Is A Place On Earth.”  After a makeover and some lessons on “love em/ leave em” from the son, Grant proceeds to get involved with 4 women (2 being twins).

The director and writer felt the need to make this a mirror story.  As the son coaches the father, the son soon needs coaching in love.  I felt that this was an unnecessary addition to the story.  It also forced a rushed ending that was unsatisfying to those wanting a full story.  The casting of supporting actors was good; I liked seeing Janeane Garafalo appearing on film again and Jenna Elfman did not annoy me this time around.

My advice: check it out on cable if you happen to run across it; even with its flaws, I think I saw a better movie than what I intended on seeing…

Mickey Donald Goofy: The Three Musketeers

When Disney announced in the mid-90s that they were going to start making direct-to-video animation releases, I was not a happy camper.  I felt that the very idea cheapened what the Disney name brought to the field of animation.  Of course it did not help that 99% of these releases were going to be sequels to timeless classics.  That went against what Walt always talked about, which was there should be no animated sequel except for Fantasia.  That said, there are always exceptions.

The Three Musketeers is a familiar tale, and in my opinion, should be required reading for 4-6 graders.  While many versions have been seen on film and TV, none have featured the core characters of Mickey, Donald, and Goofy.  The nice aspect of our story is that our heroes are inspired by D’Artagan and his pals versus actually playing those roles.  Mickey  and his pals are rescued as kids by the real musketeers and are inspired to try to become musketeers.  Blocking their progress is our favorite Mickey foil, Pete.  Hijinks ensue as we welcome other favorites such as Minnie, Daisy, and Clarabelle; even Pluto is there to help out.  Our guide through the story is a turtle who evokes memories of the Allan A’Dale character from Robin Hood.

The truly imaginative part of the feature is the pairing of lyrics to some of the greatest pieces of classical music.  These lyrics help stitch together our scenes, as well as help bring the environment to full color.  I also enjoyed the fact that all of the originals were gathered together for this feature.

The DVD had the typical Disney features for kids.

My advice:  Check this out sometime, even if you don’t have kids…

My thoughts on the world of movies…