The night I introduced Lisa to Hopscotch is also the same night that I introduced her to Foul Play. You could say the theme of the night was action/comedies that have faded from view but are still enjoyable. Since “Quint” had not reviewed this one, I can talk more about the movie.
I have always mentioned how my parents, Mom in particular, have influenced my movie watching over the years. There was a brief time in 1980 where I overdosed on movies due to the apartment we were living in at the time having HBO. During that year, I caught up on James Bond, watched Grease way more than I should have, and watched movies my parents wanted to see. Goldie Hawn was a favorite of both parents, so it was no surprise that they would watch a movie of hers when given the chance. This was also the time frame that they started letting me watch more mature movies, where death occurred and certain situations were shown onscreen. For the most part, I never realized those were there until I was older.
Foul Play is your typical tale of a person caught in the wrong place at the wrong time. Goldie Hawn plays a newly single woman (never sure if it was a divorce or just a bad breakup, not that it matters) who is attending the engagement party of a friend. She avoids being “picked up” by a clumsy stranger played by Chevy Chase. As she drives home, she picks up a stranded motorist named Scotty. From here, the story turns from a potential romantic comedy to a murder mystery that has Hawn reacting to upsetting events left and right. That clumsy stranger played by Chase ends up being the police detective assigned to her case, and predictably, but gladly, becomes her romantic interest.
What makes this movie work is its cast. Hawn is often portrayed as the ditzy blonde; here she is simply a caring woman reacting to all of the wackiness around her. If this role were recast as a male today, it would easily go to Jason Bateman. Chase used this movie to launch himself away from Saturday Night Live; his cockiness and smarm fits well with his character. Amazingly, though, Chase does a good job of dropping the wisecracks and demonstrating genuine concern when needed. Burgess Meredith turns in a great comedic turn as Hawn’s landlord and protector. Brian Dennehy as Chase’s partner does the heavy lifting for the tough guy side of things. What I always think of when I think about this movie, though, is Dudley Moore’s performance. While he only has three scenes, those scenes are classic Moore.
My advice: Pop this in the next time you have a date night where you are looking for something with a little more than the typical romantic comedy – and look for the scene where grandmothers play a form of Scrabble you would not expect…
One of the disadvantages to having a movie habit like mine is that you have to have a job that pays for said habit. Periodically my job requires me to be available in off-hours, limiting my social options for that time frame. Thankfully, I had a friend recently offer to cook me dinner and watch a couple of movies on DVD while I was tethered to my computer. At the same time, “Quint” from Ain’t It Cool News was reviving his “A Movie A Day” column and wrote an interesting piece on a movie that I had in my collection, The Criterion Collection version of Hopscotch. I wish I could say I could top Quint’s review, but sadly I cannot. Here is a link to it for you to read after you finish this piece (there is strong language in his review): http://www.aintitcool.com/node/60816 .
I remember when I first got this DVD. It was in 2008 and was a free selection from a promotion that I do not remember. I do remember being the most intrigued by it out of all of the other choices. The fact that it was part of the Criterion Collection helped convince me. For those not familiar with Criterion Collection, these are DVD and Blu-Ray releases that have been selected by an independent process to highlight story, visuals, and other examples of movie-making. Most choices tend to be art-house movies or foreign films, but there are some more mainstream choices available.
Lisa had not seen this movie as it was not something she would have normally picked. I chose it as one of the movies I would share with her in return for dinner. So we settled in with some jambalaya and set our time machines back to 1980.
Walter Matthau plays our hero, a spy nearing the end of his years in the field. He has spent years in Europe working against the KGB to further the American Way. After completing a mission, Matthau finds himself benched by his pompous boss, played to perfection by Ned Beatty. Matthau responds by doing what we have all wanted to do to our bosses at some point: give him his comeuppance. Throw in a young Sam Waterston (Law and Order) and Glenda Jackson, and you have yourself the makings of a cast made to take advantage of the story.
Having seen it before and owning it, I obviously enjoyed it. Lisa found it ok, but did remark that the pacing was slower than expected. I would agree with her that the pacing is slow, but it is not a detriment to the movie. Instead it allows the viewer to enjoy the setup of each scene and the performances contained in each one.
My advice: Give this one a try if you are looking for a comedic look at the spy world that does not lampoon it like Austin Powers – if anything, it is a good reminder of how much the world has changed in 33 years…
When Disney announced in the mid-90s that they were going to start making direct-to-video animation releases, I was not a happy camper. I felt that the very idea cheapened what the Disney name brought to the field of animation. Of course it did not help that 99% of these releases were going to be sequels to timeless classics. That went against what Walt always talked about, which was there should be no animated sequel except for Fantasia. That said, there are always exceptions.
The Three Musketeers is a familiar tale, and in my opinion, should be required reading for 4-6 graders. While many versions have been seen on film and TV, none have featured the core characters of Mickey, Donald, and Goofy. The nice aspect of our story is that our heroes are inspired by D’Artagan and his pals versus actually playing those roles. Mickey and his pals are rescued as kids by the real musketeers and are inspired to try to become musketeers. Blocking their progress is our favorite Mickey foil, Pete. Hijinks ensue as we welcome other favorites such as Minnie, Daisy, and Clarabelle; even Pluto is there to help out. Our guide through the story is a turtle who evokes memories of the Allan A’Dale character from Robin Hood.
The truly imaginative part of the feature is the pairing of lyrics to some of the greatest pieces of classical music. These lyrics help stitch together our scenes, as well as help bring the environment to full color. I also enjoyed the fact that all of the originals were gathered together for this feature.
The DVD had the typical Disney features for kids.
My advice: Check this out sometime, even if you don’t have kids…
With any Halloween marathon, you need at least one scary movie; thus we have the final chapter of the Beverly Hills Cop trilogy. Cop 3 came out 7 years after Cop 2 and eliminated half of the original cast. The story has Murphy tracking down his boss’s killer to LA and invading a theme park.
I get what they were trying to do from a broad perspective: BHC showed a cop just starting out and making rash decisions; Cop 2 showed some maturity in some of the actions; and Cop 3 would show how he had fully matured and could lead a whole team. Unfortunately, Eddie Murphy was no longer believable as Axel Foley. BHC gave him an “everyman” look that matched his character; however the looks in 2 and 3 have shown an actor enjoying success when his character shouldn’t be that slick. Combine this with jokes that do not work and yet another new director and it becomes painfully obvious that what made BHC work was a combo of director, cast, writer, and producers that needed to remain the same. You can tell that Paramount does not think much of 3 either since there is only one featurette. I did think it was interesting that the interviewees knew they had a shaky product based on their answers.
There is a rumor that Cop 4 is being shopped around/developed. I hope this rumor is false. Paramount needs to let the series remain “finished” and be satisfied with one great classic.
My advice: See it only if you are bored or want to do your own comparison – if you hate it, you can’t say I didn’t warn you….
Continuing my Halloween marathon, next up is Beverly Hills Cop 2. Of course it was a no-brainer for Paramount to greenlight a sequel when the first one made $250 – 300 million. The one big difference was the change in directors from Martin Brest to Tony Scott. After watching the first movie and the interviews, I am in firm belief that BHC would have not performed as well with a different director. Tony Scott was coming off of Top Gun, another smash for Paramount.
Cop 2 finds Eddie Murphy heading back to Beverly Hills to investigate the shooting of one of his buddies from the first movie. Again, the story is fairly straight-forward with no twists. Unfortunately, it also lacks the depth the first movie had, as well as some of the comedy. In the DVD interviews, even Tony Scott admits that he was looking to film a straight-up action movie versus a comedy with action. It is these choices that create a movie that does not completely live up to fan expectations. As a matter of fact, I still remember the conversation in AP Calculus that I had with Mike Harvey where he blasted the movie for phoning it in and turning out a “piece of crap” compared to the first one. While I did not enjoy it as much as the first one, I felt it was still decent enough entertainment.
Similar to the BHC DVD, this disc featured interviews and a trailer.
My advice: decent enough to watch, but I would not choose it over the first…